EMMY 2024 WINNERS: NETFLIX TAKES HOME 22 AWARDS

On Monday, January 15, The Television Academy celebrated the historic 75th Emmy Awards, recognizing excellence in television programming and individual achievement for the 2022-2023 television season.

With the highest voter participation in Emmy’s history, this year’s nominations saw over 20,000 Academy members casting their votes.

Netflix received 102 nominations for over 34 titles, winning 22 awards, including Queer Eye and BEEF.

After winning three awards at the Golden Globes, BEEF continued to be recognized at award ceremonies. It went on to win eight out of its 13 Emmy nominations. Following her Golden Globe win, Ali Wong made history again by becoming the first woman of Asian descent to win an Emmy in the lead actress category.

Niecy Nash-Betts, DAHMER, Lee Sung Jin, BEEF Ali Wong, BEEF

WHAT NETFLIX WON AT THE EMMYS

  • OUTSTANDING SUPPORTING ACTRESS IN A LIMITED OR ANTHOLOGY SERIES OR MOVIE
    Niecy Nash-Betts, DAHMER – Monster: The Jeffrey Dahmer Story
  • OUTSTANDING DIRECTING FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE
    Lee Sung Jin, BEEF
  • OUTSTANDING WRITING FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE Lee Sung Jin, BEEF 
  • OUTSTANDING LEAD ACTOR IN A LIMITED OR ANTHOLOGY SERIES OR MOVIE 
    Steven Yeun, BEEF
  • OUTSTANDING LEAD ACTRESS IN A LIMITED OR ANTHOLOGY SERIES OR MOVIE 
    Ali Wong, BEEF 
  • OUTSTANDING LIMITED OR ANTHOLOGY SERIES
    BEEF
  • OUTSTANDING ACTOR IN A SHORT FORM COMEDY OR DRAMA SERIES
    Tim Robinson, I Think You Should Leave with Tim Robinson
  • OUTSTANDING CASTING FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE Charlene Lee, CSA and Claire Koonce, BEEF
  • OUTSTANDING CONTEMPORARY COSTUMES FOR A SERIES 
    Colleen Atwood, Mark Sutherland, Robin Soutar, Claudia Littlefield, and Adina Bucur, Wednesday, “Wednesday’s Child is Full of Woe”
jenna orteha wednesday, kerry russel the diplomat, the crown, elizabeth debicki
  • OUTSTANDING CONTEMPORARY COSTUMES FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE
    Helen Huang, Austin Wittick, YJ Hwang, and Mark Anthony Summers, BEEF, “The Birds Don’t Sing, They Screech in Pain”
  • OUTSTANDING CONTEMPORARY MAKEUP (NON-PROSTHETIC)
    Tara McDonald, Freda Ellis, Nirvana Jalalvand, Tamara Meade, and Bianca Boeroiu, Wednesday, “Woe What a Night”
  • OUTSTANDING PERIOD AND/OR CHARACTER HAIRSTYLING
    Nic Collins and Giorgio Galliero, Queen Charlotte: A Bridgerton Story, “Crown Jewels”
  • OUTSTANDING PRODUCTION DESIGN FOR A NARRATIVE CONTEMPORARY PROGRAM (ONE HOUR OR MORE)
    Mark Scruton, Adrian Curelea, and Robert Hepburn, Wednesday, “Wednesday’s Child Is Full of Woe”
  • OUTSTANDING PRODUCTION DESIGN FOR A NARRATIVE PERIOD OR FANTASY PROGRAM (ONE HOUR OR MORE)
    Tamara Deverell, Brandt Gordon, and Shane Vieau, Guillermo del Toro’s Cabinet of Curiosities
  • OUTSTANDING ORIGINAL MAIN TITLE THEME MUSIC
    Danny Elfman, Wednesday 
  • OUTSTANDING PICTURE EDITING FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE
    Nat Fuller and Laura Zempel, BEEF, “Figures of Light”
  • OUTSTANDING STRUCTURED REALITY PROGRAM
    David Collins, Michael Williams, Rob Eric, Jennifer Lane, Jordana Hochman, Mark Bracero, Kori Kingg, Jenifer Lerman, Bobby Berk, Karamo Brown, Tan France, Antoni Porowski, and Jonathan Van Ness, Queer Eye
  • OUTSTANDING WRITING FOR A VARIETY SPECIAL
    John Mulaney: Baby J 
  • OUTSTANDING SHORT FORM COMEDY, DRAMA OR VARIETY SERIES
    I Think You Should Leave with Tim Robinson 
  • OUTSTANDING NARRATOR
    Barack Obama, Working: What We Do All Day
  • OUTSTANDING CHARACTER VOICE-OVER PERFORMANCE
    Maya Rudolph, Big Mouth

Emma Armbrüster is Senior Editorial Critic at The Viewer’s Perspective. Based in Veneto, Italy, she specializes in deep-dive narrative analysis and episode-by-episode recaps of premier television, providing an independent vantage point on the modern streaming landscape.

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